Ebm11 Piano Chord

Piano Diagram of Ebm11 in Root Position

The Ebm11 chord is a six-note chord that includes the root note (Eb), the minor third (Gb), the perfect fifth (Bb), the minor seventh (Db), the major ninth (F), and the eleventh (Ab). This chord is commonly used as a variation or modulation for minor 7th chords. Keep reading to learn something more about this chord.

 

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Playing Extended Chords on Piano

Extended chords are commonly used in piano playing, but they can be tricky to play in their entirety due to the large number of notes involved. To make these chords more manageable, pianists often omit certain notes, such as the root or the 5th. Another technique is to split the chord between both hands, playing either full or partial chords in each hand.

How to play an Ebm11

For instance, in this scenario, you may opt to play a simplified version of Ebm11 by omitting the 5th and 9th notes. This way, you will only need to play the root note Eb (which can be played using your left hand), the minor 3rd Gb, the minor 7th Db, and the 11th note Ab with your right hand.

Eb + Gb, Db, Ab

However, even when notes are omitted or split between hands, extended chords can still create complex and dense harmonies. When these chords are inverted, the resulting clusters of notes can be particularly challenging to voice effectively.

 

Ebm11 Chord Inversions

 

The Ebm11 chord has a total of 5 inversions:

Piano Keyboard Diagrams

Chord Inversion on Piano

Understanding chord inversions is an essential aspect of music theory as it helps to explain how chords are constructed and used in progressions. When playing chord inversions on a piano, it’s important to keep in mind that the diagrams used to illustrate the order of notes may not always be practical to play.

To achieve the proper chord voicings on a piano, you need to distribute the notes of the chord across various octaves and positions on the keyboard. This often means that the basic shape of the chord’s inversions shown in diagrams may not be the most convenient or comfortable way to play the chord.

While chord inversion diagrams can be useful in comprehending the structure and sequence of notes in a chord, it’s recommended to experiment with different voicings and fingerings to find the most efficient and comfortable way to play the chord while still preserving its intended harmonic function and sound.

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Music Theory and Harmony of Ebm11

 

The Ebm11 chord is a diatonic extension of Ebm7. While it can be substituted for the Ebm7 chord in any position, it is commonly used in conjunction with it. Nonetheless, it’s worth noting that certain positions may not be as effective when substituting Ebm11 for Ebm7.

 

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Building the Ebm11 Chord: Different Approaches

Starting from the Eb Major Scale

To build a minor 11th chord, you would use the root note, the minor third, the fifth, the minor seventh, the major ninth, and the eleventh from a minor scale. However, for educational purposes, it may be clearer to demonstrate its construction using a major scale, as it better illustrates the relationship between intervals and their qualities.

 

 

 

To create an Ebm11 chord, apply the formula R, m3, 5, m7, 9, 11 in the following manner:

1. Begin with the Root note, which is Eb.
2. Select the 3rd interval, which is G, and then subtract a half-step to get the minor 3rd Gb.
3. Add the 5th interval, which is Bb.
4. Add the minor 7th interval, which is the 7th (D) less a half-step, Db.
5. Add the major 9th which is F.
6. Lastly, add the 11th Ab, which is a 4th interval at the higher octave.

By following this simple formula, you can create a minor 11th chord from any major scale.

 

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by Combining Intervals

One method to create a minor 11th chord is by combining specific intervals – a minor 3rd, a major 3rd, a minor 3rd, a major 3rd, and a minor 3rd. This is the formula:

m3 + 3 + m3 + 3 + m3 =  minor 11th Chords

• To create an Ebm11 chord, we start with the root note Eb and then add a minor 3rd interval, which is equivalent to moving up three half-steps from Eb, resulting in the note Gb.
• Following this, we include a major 3rd interval by moving three half-steps up from Gb, which leads to the note Bb.
• This pattern is continued by adding another minor 3rd interval, which brings the note Db, followed by a major 3rd interval, leading to the note F.
• Lastly, we add the 11th note (Ab), which is found by moving up a minor 3rd from F, to complete the chord.

 

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by Combining Chords

Another way to create minor 11th chords is to combine a minor triad with the major chord based on its minor 7th. For example, to build an Ebm11 chord, you can mix an Eb minor triad (Eb, Gb, Bb) with a Db Major chord (Db, F, Ab).

Eb minor + Db Major = Ebm11

When played simultaneously, these two chords form an Ebm11 chord (Eb, Gb, Bb, Db, F, Ab).

 

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How to Use Ebm11 in a Chord Progression

 

The Eb minor 11th is an extension of the Eb minor 7th, with the addition of an extra 9th and an 11th note. This makes it a much fuller, more complex, and richer chord than Ebm7.

In this post, we will focus on the most common uses of the Ebm11 chord. The tables of the major and minor keys below include the Eb minor 7th chord, which can be substituted or complemented by an Eb minor 11th chord.

 

on Natural minor Scales

• Tonic chord in Eb minor
• Subdominant chord in Bb minor
• Non-diatonic Dominant chord in Ab minor

 

on Major Scales

• Supertonic chord in Db Major
• Non-diatonic Mediant chord in B Major as D#min11
• Submediant chord in Gb Major

Non-diatonic positions in Ab minor and B Major

It’s important to note that the major ninth interval F clashes with the Fb note found in both the Ab minor and Cb major scales, as they are only a half step apart. As a result, it’s generally recommended to avoid using a minor 11th chord in this particular position. However, rather than outright avoiding it, I recommend evaluating the dissonance of the Ebm11 chord in those positions and making a judgment based on your personal preferences.

 

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Ebm11 Function in Major and Minor Keys

Understanding Scale Degrees

Understanding scale degrees is essential for comprehending the relationship between the notes within chords and how they function. The diatonic major scale consists of seven degrees, each with a distinct role in shaping the overall harmony of the chords.

1. The first degree of the scale is the Tonic, serving as the foundation for the chord progression. It establishes a stable tonal center, providing an anchor for the rest of the chords in the progression.
2. The second degree is called the Supertonic, often used to create a sense of motion within the chord progression. It acts as a transitional chord between the Tonic and other chords in the progression.
3. The third degree of the scale is the Mediant, sitting halfway between the Tonic and Dominant chords. It helps determine whether the chord progression is major or minor.
4. The fourth degree is the Subdominant, complementing the Dominant and adding tension and resolution to the chord progression.
5. The fifth degree is the Dominant, creating tension and anticipation within the chord progression, typically resolved by returning to the Tonic.
6. The sixth degree is the Submediant, often employed as a transitional chord between the Dominant and Tonic, adding a sense of stability and restfulness to the chord progression.
7. The seventh degree is the Leading tone, located one half-step below the Tonic. It creates a strong sense of tension and a desire to resolve to the Tonic, frequently used to create a sense of resolution and finality in the chord progression.

 

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Ebm11 as Tonic Chord in Eb minor

The Eb minor 11th chord is an interesting and distinct choice for the tonic chord in the Eb minor key. It creates a complex and ambiguous harmonic center due to the presence of the 11th interval (Ab), which adds tension and dissonance to the chord. This dissonance results in a sense of instability and uncertainty, which can be utilized to create a feeling of tension. However, it’s important to note that this dissonance can also make the chord challenging to use in certain musical contexts.

The Ebm11 can be used to modulate between keys or to add harmonic color and contrast to a composition.

 

Ebm11 Chord Progressions as i degree

The following chord progressions are examples of how the Eb minor 11th chord can serve as the tonic chord (i degree).

i VI VII III

To voice the Ebm11 chord, you can consider playing the Eb root note with your left hand while using your right hand to play the notes Db (minor 7th), Gb (minor 3rd), and Ab (11th). Likewise, for the Ebm7 chord, you can play the Eb root note with your left hand and utilize your right hand to play the notes Db, Gb, and Bb.

i iv VI VII

I have a preference for resolving the Eb min11 chord to a more stable Eb chord, such as Eb minor or Eb minor 7th, within the same measure. However, I highly encourage you to explore various options and experiment with different chord progressions to discover what sounds best to you.

 

Circle Progression

 

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Ebm11 as Subdominant Chord in Bb minor

The Eb minor 11th can also be played as the subdominant chord in the key of Bb minor.

 

Ebm11 Chord Progressions as iv degree

The following chord progressions feature an Ebm11 chord as the subdominant (iv degree):

 

iv III VI VII

 

i iv VI v

 

Circle Progression

 

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Ebm11 as Dominant Chord in Ab minor (Non-Diatonic)

The Ebm11 chord can also serve as a variant of the dominant chord in the Ab minor key. However, it’s worth noting that the interval of the 9th, which is the note F, may create dissonance when played alongside the E note found in the Ab minor scale, as they are only a half step apart.

 

Ebm11 as v degree – Chord Progressions

To hear how the Eb minor 11th chord sounds as the dominant (V) chord in the Ab minor scale, you can try playing the following chord progressions. I recommend omitting the 9th, but you can still experiment with using it for a dissonant modulation or a particular effect.

 

i iv VI v

 

i v VI VII

 

i VI v iv

 

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Ebm11 as Supertonic Chord in Db Major

In addition to its application in minor keys, the Ebm11 chord can be employed in major keys as well. For example, in the key of Db major, the Ebm11 chord can function as the supertonic chord, found on the second degree of the scale.

 

Ebm11 Chord Progressions as ii degree

Try playing the following chord progressions to better understand how the Ebm11 chord functions as the supertonic (ii) chord in the key of Db major.

ii V I

 

Circle Progression

 

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Ebm11 Cb Major (Non-Diatonic) 

Check D#m11 in B Major

 

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Ebm11 as Submediant Chord in Gb Major

The Ebm11 chord can be played on the sixth degree of the Gb major scale, as a variation of the submediant chord.

 

Ebm11 as vi degree – Chord Progressions

You can explore the sound of Ebm11 as the submediant chord in the key of Gb major by playing the following chord progressions:

 

I iii vi V

 

I vi ii V

 

Circle Progression

 

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Alternative Ebm11 Nomenclature

• Eb -11
• Eb m11
• Eb -7/11
• Eb min11
• Eb m11th
• Eb min11th
• Eb min7/11
• Eb m7/9/11
• Eb minor 11
• Eb minor 11th
• Eb minor eleventh
• Eb minor ninth eleventh
• Eb minor seventh ninth eleventh

 

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Conclusion

The chord progressions and examples presented in this post provide a comprehensive overview of the most common uses of the Ebm11 chord. It’s important to note, however, that many advanced harmony-related topics could not be included due to space constraints. These topics include chord progressions built on harmonic and melodic scales, modal scales, hidden tonality, secondary dominants and other chord substitutions, non-functional harmony and atonal music, modal interchange and borrowed chords, voice leading and counterpoint, chromatisms, jazz harmony…I mean, music theory is a huge topic!

Although I couldn’t cover all of these topics in my post, I encourage readers to continue exploring these areas in their own study and research. By expanding your knowledge in these advanced areas of music theory, you can gain a deeper understanding of the harmonic possibilities that exist beyond the basics presented here.