Piano Diagram of Dbm7 in Root Position
Dbm7 is a minor chord built on the key of Db with an added minor 7th. It is formed by the notes Db, Fb Ab, and Cb. In this article, we’ll explore the music theory underlying the Dbm7 chord, including its construction, common voicings, and its role in chord progressions.
Structure of Dbm7
Notes |
---|
Db, E, Ab, Cb |
Intervals |
---|
R, m3, 5, m7 |
Finger Position
Left Hand |
---|
5, 3, 2, 1
5, 4, 2, 1 |
Right Hand |
---|
1, 2, 4, 5
1, 2, 3, 4 |
Dbm7 Chord Inversions
The Dbm7 chord has a total of 3 inversions:
Root Position: | Db | Fb | Ab | Cb |
1st Inversion: | Fb | Ab | Cb | Db |
2nd Inversion: | Ab | Cb | Db | Fb |
3rd Inversion: | Cb | Db | Fb | Ab |
Piano Keyboard Diagrams
Dbm7 Chord Equivalencies
Rearranging the notes of a chord can result in unique and interesting chord equivalencies. This is particularly true for 7th chords, where we can create a distinct type of chord by rearranging the notes of a minor 7th chord in a specific way.
For instance, if we take the 1st inversion of a minor 7th chord, where the 3rd note becomes the root note, we end up with a major 6th chord (also known as an “add 6th” chord).
Let’s consider the Dbm7 chord, which comprises the notes Db, Fb Ab, and Cb. If we rearrange the notes such that E becomes the root note, we get an E6 chord with the notes Fb Ab, Cb, and Db.
1st Inversion of Dbm7 = E6
The reason why the 1st inversion of a minor 7th chord results in a major 6th chord is due to the note relationships between the chords. When we move the 3rd note to become the root note, we end up with a chord that features a major 3rd, perfect 5th, and a major 6th interval.
Music Theory and Harmony of Dbm7
In music theory, m7 chords, also known as minor seventh chords, are commonly used and have a melancholic or introspective quality. They can be found in various genres such as jazz, blues, pop, and classical music. These chords add richness and tension to a musical piece and are often used as tonic, subdominant, or dominant chords.
Building the Dbm7 Chord: Different Approaches
When building a minor seventh (m7) chord, there are a few different approaches you can take. These approaches can be used interchangeably to construct m7 chords and provide different perspectives on building these chords:
Starting from the Db Major Scale
Db minor 7th is built by combining the Root, a minor 3rd, a 5th, and a minor 7th interval from a minor scale, however, for educational purposes, it may be clearer to demonstrate its construction using a major scale, as it better illustrates the relationship between intervals and their qualities.
For example, to build a Dbm7 chord, you can start with the Db Major scale, which consists of the notes Db, Eb, F, Gb, Ab, Bb, and C.
To create a Dbm7 chord, apply the formula R, m3, 5, m7 in the following manner:
- Begin with the Root note, Db.
- Select the 3rd interval, which is F then lower it down by a half-step to get the minor 3rd E, which we call F-flat to preserve the basic structure of the chord.
- Include the 5th note, Ab.
- Finally, add the minor 7th interval, Cb.
By following this simple formula, you can create a minor 7th chord from any major scale.
by Combining Intervals
Another way to form a minor 7th chord is by combining specific intervals – a minor 3rd, a major 3rd, and another minor 3rd.
m3 + 3 + m3 = minor 7th Chords
If we observe the intervals between the notes, we can notice that Db-E creates a minor 3rd interval, E-Ab forms a major 3rd interval, and Ab-B is a minor 3rd interval. By stacking these three intervals together, we can build the Dbm7 chord.
How to Use Db min7 in a Chord Progression
The Db minor 7th chord can have various harmonic functions, depending on its context within a piece of music. Here you can see on what degrees it appears naturally. However, almost all these scales fall under the category of theoretical keys.
A theoretical key refers to a key that exists in music theory but is not commonly used in practice due to its impracticality. It involves a key signature that would require the use of at least one double-flat or double-sharp, which can make reading and notating the music more challenging.
To make things simpler and more practical, it is generally recommended to use their enharmonic equivalent keys instead.
on Natural minor Scales
Minor Scales | i | ii | III | iv | v | VI | VII |
---|---|---|---|---|---|---|---|
Db = C# | C#m7 = Dbm7 | D#m7b5 | E Maj7 | F# min7 | G# min7 | A Maj7 | B7 |
Ab | Ab min7 | Bbm7b5 | Cb Maj7 | Db min7 | Eb min7 | Fb Maj7 | Gb7 |
Gb = F# | F# min7 | G#m7b5 | A Maj7 | B min7 | C#m7 = Dbm7 | D Maj7 | E7 |
- Tonic chord in C# minor as C# min7
- Subdominant chord in Ab minor
- Dominant chord in F# minor as C# min7
on Major Scales
Major Scales | I | ii | iii | IV | V | vi | vii |
---|---|---|---|---|---|---|---|
Cb = B | B Maj7 | C#m7 = Dbm7 | D# min7 | E Maj7 | F#7 | G# min7 | A#m7b5 |
Bbb = A | A Maj7 | B min7 | C#m7 = Dbm7 | D Maj7 | E7 | F# min7 | G#m7b5 |
Fb = E | E Maj7 | F# min7 | G# min7 | A Maj7 | B7 | C#m7 = Dbm7 | Ebm7b5 |
- Supertonic chord in B Major as C# min7
- Mediant chord in A Major as C# min7
- Submediant chord in E Major as C# min7
Dbm7 as Tonic Chord in Db Minor
Dbm7 as Subdominant Chord in Ab Minor
Db minor 7th can also appear as the subdominant chord (iv degree) in the key of Ab minor.
i | ii | III | iv | v | VI | VII |
Ab min7 | Bbm7b5 | Cb Maj7 | Db min7 | Eb min7 | Fb Maj7 | Gb7 |
Dbm7 Chord Progressions as iv degree
The following chord progressions feature a Dbm7 chord as the subdominant (iv degree):
iv III VI VII
iv | III | VI | VII |
Db min7 | Cb Maj7 | Fb Maj7 | Gb7 |
i iv VI v
i | iv | VI | v |
Ab min7 | Db min7 | Fb Maj7 | Eb min7 |
Dbm7 as Dominant Chord in Gb Minor
Dbm7 as Supertonic Chord in Cb Major
Dbm7 as Mediant Chord in Bbb Major
Dbm7 as Submediant Chord in Fb Major
Alternative Names for Dbm7 Chord
- Db-7
- Reb -7
- Reb m7
- Db min7
- Dbm7th
- Reb min7
- Db minor 7th
- Db minor seventh