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D#7sus4 Piano Chord

    Piano Diagram of D#7sus4 in Root Position

    D#7sus4 Chord - Root Position - Piano Diagram

    The D#7sus4 chord is made up of four notes, namely D#, G#, A#, and C#. This chord is known as a suspended second chord since the third note in the chord is substituted with a perfect fourth which creates a sense of suspension. To play the D#7sus4 chord on a piano, you simply need to replace the third note (G) of a D#7 chord with the fourth note (G#) from its root. Keep reading to get a better understanding of the music theory principles behind this chord.

     


    Structure of D#7sus4

    Notes

    D#, G#, A#, C#

    Intervals

    R, 4, 5, m7

     

    Fingers Position

     

    Left Hand

    5, 3, 2, 1

    Right Hand

    1, 2, 3, 5

     

    D#7sus4 Chord Inversions

     

    The D#7sus4 chord has a total of 3 inversions:

    Root Position: D# G# A# C#
    1st Inversion: G# A# C# D#
    2nd Inversion: A# C# D# G#
    3rd Inversion: C# D# G# A#

     Piano Keyboard Diagrams


    Music Theory and Harmony of D#7sus4

     

    What are Suspended  Chords?

    Suspended chords are a type of chord in which the third note is replaced by either a major second or a perfect fourth. These resulting chords are called suspended second (sus2) or suspended fourth (sus4) chords, respectively. These chords create a unique and sometimes unresolved sound that can add tension and interest to a musical composition.

    Suspended chords have a distinct sound that sets them apart from major and minor chords. They are called suspended chords because they temporarily suspend the listener’s expectation of hearing a major or minor stable chord. Instead, they feature a perfect fourth or major second interval in place of the third. Due to their “neutral nature,” suspended chords can sometimes be used as substitutes for both major and minor chords.

    The 7sus4 chord is a more intricate and richer version of sus4 chords, thanks to the inclusion of an extra minor 7th note. This additional note makes 7sus4 chords a more suitable choice for dominant and minor 7th chords.

     


    Building the D#7sus4 Chord: Different Approaches

    Starting from the D# major Scale

    To build a 7sus4 chord, you can use the major scale as a guide and combine a root note, a perfect 4th, a perfect 5th, and a minor 7th interval.

     

    D# Major Diatonic Scale up to octave

    D# Major Scale

     

    D# Major Diatonic Scale up to octave Keyless Notation

    D# Major Scale – Keyless notation

     

    To create a D#7sus4 chord, apply the formula R, 4, 5, m7 in the following manner:

    1. Begin with the Root note, D#.
    2. Select the 4th interval, G#.
    3. Add the 5th note, A#.
    4. Finally, add the minor 7th interval, which is C#.

    By following this simple formula, you can create a 7sus4 chord from any major scale.

     


    by Combining Intervals

    One method to create a dominant suspended 4th chord is by combining three specific intervals – a perfect 4th, a major 2nd, and a minor 3rd.

    4 + 2 + m3 = 7sus4 Chords

    To illustrate, let’s use the D#7sus4 chord as an example. By examining the intervals between the notes, we can see that D#-G# forms a perfect 4th interval, G#-A# creates a major second interval, and the interval between A# and C# is a minor 3rd.

     


    How to Use D#7sus4 in a Chord Progression

     

    Suspended chords have a unique quality that sets them apart from major and minor chords. They are considered neither major nor minor, which makes them a great tool for creating tension and suspense in a musical composition before resolving to a stable major or minor chord.

    To incorporate a D#7sus4 into a chord progression, you can refer to the following tables, which outline the most common positions where the chord can be found or utilized. However, it’s crucial to understand that, since this chord contains a minor 7th, it isn’t compatible with Maj7 chords, unlike sus2 or sus4 chords. Nevertheless, it can be used on dominant chords and on all positions where a D#m7 is present.

    D#7sus4 as Substitute of D#7

    D#7sus4 can be used as a substitute for D#7 in major and minor keys. In the G# major key, D#7 can be replaced with D#7sus4 in the V position. Similarly, in E# (F) minor, the D#7 chord can be substituted with D#7sus4 in the VII position which is the leading tone chord.

    However, since G# major and E# are theoretical keys, it’s more practical to refer to their enharmonic equivalent keys, Ab major and F minor, and use the equivalent chord of D#7sus4, which is Eb7sus4. The same principle applies to B# minor and G# major, keys so we will refer to their enharmonic equivalent keys C minor and Ab major.

     

    on Major Scales

    Major Scales I ii iii IV V vi vii
    G# = Ab Ab Maj7 Bb min7 C min7 Db Maj7 Eb7 ⇒ Eb7sus4 = D#7sus4 F min7 Gm7b5
    • Dominant chord in Ab Major as Eb7sus4

     

    on Natural minor Scales

    Minor Scales i ii III iv v VI VII
    E# = F F min7 Gm7b5 Ab Maj7 Bb min7 C min7 Db Maj7 Eb7 ⇒ Eb7sus4 = D#7sus4
    • Leading tone chord in F minor as Eb7sus4

     


    D#7sus4 as Substitute of D# min7

    D#7sus4 chord can be used as a substitute for D# minor 7th in various major and natural minor scales:

     

    on Major Scales

    Major Scales I ii iii IV V vi vii
    C# C# Maj7 D#m7 ⇒ D#7sus4 E# min7 F# Maj7 G#7 A# min7 B#m7b5
    B B Maj7 C# min7 D#m7 ⇒ D#7sus4 E Maj7 F#7 G# min7 A#m7b5
    F# F# Maj7 G# min7 A# min7 B Maj7 C#7 D#m7 ⇒ D#7sus4 E#m7b5
    • Supertonic chord in C# Major
    • Mediant chord in B Major
    • Submediant chord in F# Major

     

    on Natural minor Scales

    Minor Scales i ii III iv v VI VII
    D# D#m7 ⇒ D#7sus4 E#m7b5 F# Maj7 G# min7 A# min7 B Maj7 C#7
    A# A# min7 B#m7b5 C# Maj7 D#m7 ⇒ D#7sus4 E# min7 F# Maj7 G#7
    G# G# min7 A#m7b5 B Maj7 C# min7 D#m7 ⇒ D#7sus4 E Maj7 F#7
    • Tonic chord in D# minor
    • Subdominant chord in A# minor
    • Dominant chord in G# minor

     


    D#7sus4 Chord Function in Major and Minors

    Understanding Scale Degrees

    When creating chords from a scale, each note in the scale is assigned a degree, which reflects its position in the scale. In the diatonic major scale, there are seven degrees, and each degree has a unique role in the overall harmony of the scale.

    1. The first degree of the scale is called the Tonic, and it serves as the foundation for the scale. It provides a stable tonal center and is often referred to as the “home base” of the music.
    2. The second degree of the scale is called the Supertonic. It’s typically used as a passing note between the tonic and other scale degrees, and it adds a sense of movement to the melody or harmony.
    3. The third degree of the scale is called the Mediant. It’s located halfway between the tonic and dominant notes and helps to establish whether the scale is major or minor.
    4. The fourth degree of the scale is called the Subdominant. It’s often used as a complementary harmony to the dominant and adds a sense of tension and resolution to the music.
    5. The fifth degree of the scale is called the Dominant. It generates tension and a sense of expectation, and it’s typically resolved by returning to the tonic.
    6. The sixth degree of the scale is called the Submediant. It’s often utilized as a transition between the dominant and tonic, and it provides a sense of stability and restfulness to the music.
    7. The seventh degree of the scale is called the Leading tone. It’s located one half step below the tonic and produces a strong sense of tension and a desire to resolve to the tonic. It’s often used to create a sense of resolution and finality in the melody or harmony.

     


    D#7sus4 in G# Major

    Check Eb7sus4 in Ab Major

     


    D#7sus4 in E# Minor

    Check Eb7sus4 in F minor

     


    D#7sus4 in C# Major

    In the context of the C# Major key, the second chord in the key is typically a D# minor chord. However, incorporating a D#7sus4 chord instead of D#m can add some variation and tonal interest to a chord progression.

    I ii iii IV V vi vii
    C# Maj7 D# min7 E# min7 F# Maj7 G#7 A# min7 B#m7b5

     

    D#7sus4 Chord Progressions as ii degree
    ii V I
    ii V I
    D#7sus4 | D#m7 G#7 C# Maj7

     

    I IV ii V iii vi ii V
    I IV ii V iii vi ii V
    C# Maj7 F# Maj7 D#7sus4 | D#m7 G#7 E# min7 A# min7 D#min7 | D#7sus4 G#7

     


    D#7sus4 in B Major

    When playing in the key of B Major, the D#7sus4 chord can be used as a chord substitution for the diatonic D# minor chord that normally appears on the III degree of the scale.

    I ii iii IV V vi vii
    B Maj7 C# min7 D# min7 E Maj7 F#7 G# min7 A#m7b5

     

    D#7sus4 Chord Progressions as iii degree
    I iii IV V
    I iii IV V
    B Maj7 D#7sus4 | D#m7 E Maj7 F#7

     

    I iii ii V
    I iii ii V
    B Maj7 D#7sus4 | D#m7 C# min7 F#7

     

    I iii vi IV
    I iii vi IV
    B Maj7 D#7sus4 | D#m7 G# min7 E Maj7

     


    D#7sus4 in F# Major

    In the key of F# Major, the D#7sus4 chord can function as a submediant chord, which means it’s a chord built on the sixth degree of the scale. It can add variety and interest to a chord progression that already includes a D#m chord on the sixth degree.

    I ii iii IV V vi vii
    F# Maj7 G# min7 A# min7 B Maj7 C#7 D# min7 E#m7b5

     

    D#7sus4 as vi degree – Chord Progressions
    I iii vi V
    I iii vi V
    F# Maj7 A# min7 D#7sus4 | D#m7 C#7

     

    I vi ii V
    I vi ii V
    F# Maj7 D#7sus4 | D#m7 G# min7 C#7

     

    I IV ii V iii vi ii V
    I IV ii V iii vi ii V
    F# Maj7 B Maj7 G# min7 C#7 A# min7 D#7sus4 | D#m7 G# min7 C#7

     


    D#7sus4 in D# Minor

    When using the D#7sus4 chord in the key of D# minor, it can serve as a variation of the traditional D#m chord.

    i ii III iv v VI VII
    D# min7 E#m7b5 F# Maj7 G# min7 A# min7 B Maj7 C#7

     

    D#7sus4 Chord Progressions as i degree
    i VI VII
    i VI VII
    D#7sus4 | D#m7 B Maj7 C#7
    i iv VI VII
    i iv VI VII
    D#7sus4 G# min7 B Maj7 C#7

     


    D#7sus4 in A# Minor

    When playing in the key of A# minor, you can try using the D#7sus4 chord as a substitution or variation for the D# major chord on the IV degree.

    i ii III iv v VI VII
    A# min7 B#m7b5 C# Maj7 D# min7 E# min7 F# Maj7 G#7

     

    D#7sus4 Chord Progressions as iv degree
    iv III VI VII
    iv III VI VII
    D#7sus4 | D#m7 C# Maj7 F# Maj7 G#7

     

    i iv VI v
    i iv VI v
    A# min7 D#7sus4 | D#m7 F# Maj7 E# min7

     


    D#7sus4 in G# Minor

    In the key of G# minor, the D#7sus4 chord can function as a substitution or variation for the fifth chord, adding a unique tonal color to the progression. Pairing it with the D#7 chord on the fifth degree can create a sense of tension and expectation for the resolution to the tonic chord or to another chord of the scale.

    i ii III iv v VI VII
    G# min7 A#m7b5 B Maj7 C# min7 D# min7 E Maj7 F#7

     

    D#7sus4 as v degree – Chord Progressions
    i iv VI v
    i iv VI v
    G# min7 C# min7 E Maj7 D#7sus4 | D#m7

     

    i v VI VII
    i v VI VII
    G# min7 D#7sus4 | D#m7 E Maj7 F#7

     

    i VI v iv
    i VI v iv
    G# min7 E Maj7 D#7sus4 | D#m7 C# min7

     


    Alternative Names for D#7sus4 Chord

    • D#7sus4
    • D#7sus(4)
    • D#7 add4(no3)
    • D#7 add4(omit3)
    • D# Dominant Suspended 4th

     


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