Piano Diagram of D# Maj in Root Position
To get a D# Major chord, you combine the root (D#), the 3rd (Fx. which is an F “double sharp” and is equivalent to G), and the 5th note (A#) from the D# Major diatonic scale. In other words, a D# Major chord is a major triad built upon the key of D#. Keep reading to get a better grip on the music theory behind this fundamental chord.
Structure of D# Major
Notes |
---|
D#, Fx, A# |
Intervals |
---|
R, 3, 5 |
Fingers Position
Left Hand |
---|
4, 2, 1
5, 3, 2 |
Right Hand |
---|
1, 2, 4
1, 3, 5 |
D# Major Chord Inversions
The D# Major chord has a total of 2 inversions:
Root Position: | D# | Fx | A# |
1st Inversion: | Fx | A# | D# |
2nd Inversion: | A# | D# | Fx |
Piano Keyboard Diagrams
Music Theory and Harmony of D# Major
What are Major Chords?
Major chords are one of the two primary types of chords in music, along with minor chords. The primary distinction between the two lies in the 3rd note of the chord – major chords use a major 3rd, while minor chords use a minor 3rd. Due to the major third interval, major chords generally evoke a “happy” or “bright” quality, creating a sense of stability and resolution.
Building the D# Major chord: Different Approaches
Starting from the D# Major Scale
To build a major chord, you can use the major scale as a reference. You will need to combine a root, a major 3rd, and a 5th interval.
For instance, to build the D# Major chord, you can start with the D# Major scale.
To create a D# Major chord, apply the formula R, 3, 5 in the following manner:
- Begin with the root note, which is D#.
- Select the major 3rd interval, which is Fx (G), and add it to the chord.
- Finally, add the 5th interval, which is A#.
By following this simple formula, you can create a major chord from any major scale.
by Combining Intervals
One method to create a major chord is by combining specific intervals – a major 3rd, and a minor 3rd. For example, let’s consider the D# Major chord.
3 + m3 = Major Chords
By examining the intervals between the notes, we can see that D#-Fx (Eb-G) forms a major 3rd interval, and Fx-A# (G-Bb) creates a minor 3rd interval. These two intervals can be stacked together to create the D# Major chord.
D# Maj in a Chord Progression
The following tables show the harmonization of major scales and their relative natural minor scales for keys that contain a D# Major chord in various positions (degrees of the scale).
D# major is not commonly used due to the complexity of its key signature, which consists of five sharps and two double sharps. This makes it a theoretical key just like D# Major, A# Major, and G# Major. For this reason, it’s better to refer to their enharmonic equivalent keys and use the Eb major chord, especially in minor keys where the number of flats is significantly lower.
on Major Scales
Major Scales | I | ii | iii | IV | V | vi | vii |
---|---|---|---|---|---|---|---|
D# = Eb | Eb Maj = D# Maj | F min | G min | Ab Maj | Bb Maj | C min | D dim |
A# = Bb | Bb Maj | C min | D min | Eb Maj = D# Maj | F Maj | G min | A dim |
G# = Ab | Ab Maj | Bb min | C min | Db Maj | Eb Maj = D# Maj | F min | G dim |
- Tonic chord in Eb Major as Eb Maj
- Subdominant chord in Bb Major as Eb Maj
- Dominant chord in Ab Major as Eb Maj
on Natural minor Scales
Minor Scales | i | ii | III | iv | v | VI | VII |
---|---|---|---|---|---|---|---|
B# = C | C min | D dim | Eb Maj = D# Maj | F min | G min | Ab Maj | Bb Maj |
Fx = G | G min | A dim | Bb Maj | C min | D min | Eb Maj = D# Maj | F Maj |
E# = F | F min | G dim | Ab Maj | Bb min | C min | Db Maj | Eb Maj = D# Maj |
- Mediant chord in C minor as Eb Maj
- Submediant chord in G minor as Eb Maj
- Leading tone chord in F minor as Eb Maj
D# Maj in D# Major
Check Eb Maj in Eb Major
D# Maj in A# Major
Check Eb Maj in Bb Major
D# Maj in G# Major
Check Eb Maj in Ab Major
D# Maj in B# Minor
Check Eb Maj in C minor
D# Maj in Fx Minor
Check Eb Maj in G minor
D# Maj in E# Minor
Check Eb Maj in F minor
Alternative Names for D# Major
- Re# +
- D# M
- Re# M
- D#Maj
- D#mag
- D# Maj
- D# Magg
- D# Major
- Re# Magg