Piano Diagram of Eb min in Root Position
The E-flat minor chord is the minor triad built upon the E-flat key. It is built by combining the Root note (Eb), the minor 3rd (Gb), and the 5th (Bb) notes from the E-flat minor scale.
Structure of Eb minor
Notes |
---|
Eb, Gb, Bb |
Intervals |
---|
R, m3, 5 |
Fingers Position
Left Hand |
---|
4, 2, 1 |
Right Hand |
---|
1, 2, 4 |
Eb minor Chord Inversions
The E-flat minor chord has a total of 2 inversions:
Root Position: | Eb | Gb | Bb |
1st Inversion: | Gb | Bb | Eb |
2nd Inversion: | Bb | Eb | Gb |
Piano Keyboard Diagrams
Music Theory and Harmony of E minor
What are Minor Chords?
Minor chords are one of the two most important types of chords in music, along with the major chord. Minor chords are triads that have a slightly different sound from major chords. They have a darker and more melancholic sound compared to major chords, which have a brighter and more uplifting sound. The difference lies in the 3rd note of the chord – minor chords use a minor 3rd while major chords use a major 3rd.
Despite their darker sound, minor chords are still considered stable and consonant chords. This means that they do not create a sense of tension or dissonance that requires resolution, unlike some other types of chords such as dominant 7th chords or diminished chords.
Building the Eb minor Chord: Different Approaches
Starting from the E-flat Major scale
A minor chord is made up of three notes: Root, minor 3rd, and 5th of a minor scale.
However, for educational purposes, it may be clearer to demonstrate its construction using a major scale, as it better illustrates the relationship between intervals and their qualities.
For example, if you want to build an Eb minor chord, you can begin with the E-flat major scale.
To build a minor chord, you can apply the formula R, m3, 5 using these step-by-step instructions:
- Begin with the Root note, Eb.
- To select the minor 3rd interval of a note, you need to count three half steps up from that note. Alternatively, you could find the 3rd note on the major scale (which for Eb would be G) and then lower it down by a half step to get Gb, which is the minor 3rd interval of Eb.
- Finally, add the 5th interval, which is Bb.
This formula can be applied to any major scale to create a minor chord with a different root note.
by Combining Intervals
A minor chord is created by combining two specific intervals: a minor 3rd and a major 3rd.
m3 + 3 = minor Chord
To form an E-flat minor chord, begin with the root note Eb and add a minor 3rd interval. This interval consists of three half-steps, so count up three half-steps from the root note Eb to find Gb.
Next, add a major 3rd interval to Gb. This interval consists of four half-steps, so count up four half-steps from Gb to find Bb.
These three notes – Eb, Gb, and Bb – together create the E-flat minor chord. So, the Eb minor chord is made up of a minor 3rd interval between Eb and Gb, and a major 3rd interval between Gb and Bb.
It’s worth noting that this method is not the easiest way to create a minor chord, but it’s a commonly used approach.
How to Use Eb min in a Chord Progression
Harmonic functions are fundamental concepts in music theory that describe the roles played by chords within a specific key and context. In Western music, there are seven primary harmonic functions, which correspond to the notes of the diatonic scale. The most important functions are the tonic, dominant, and subdominant, with major chords denoted by capitalized Roman numerals and minor chords by lowercase ones.
To gain a better understanding of the harmonic functions of Eb min in various scales, the tables below show the natural minor scales and their corresponding relative major scales for all keys that include an E-flat minor chord in different scale degrees. These tables offer a helpful guide to understanding how chords function harmonically and relate to one another in different keys.
on Natural minor Scales
Minor Scales | i | ii | III | iv | v | VI | VII |
---|---|---|---|---|---|---|---|
Eb | Eb min | F dim | Gb Maj | Ab min | Bb min | Cb Maj | Db Maj |
Bb | Bb min | C dim | Db Maj | Eb min | F min | Gb Maj7 | Ab Maj |
Ab | Ab min | Bb dim | Cb Maj | Db min | Eb min | Fb Maj | Gb Maj |
- Tonic chord in Eb minor
- Subdominant chord in Bb minor
- Dominant chord in Ab minor
on Major Scales
Major Scales | I | ii | iii | IV | V | vi | vii |
---|---|---|---|---|---|---|---|
Db | Db Maj | Eb min | F min | Gb Maj | Ab Maj | Bb min | C dim |
Cb = B | B Maj | C# min | D#m = Ebm | E Maj | F# Maj | G# min | A# dim |
Gb | Gb Maj | Ab min | Bb min | Cb Maj | Db Maj | Eb min | F dim |
- Supertonic chord in Db Major
- Mediant chord in B Major as D# min
- Submediant chord in Gb Major
Eb minor Chord Function in Major and Minor Keys
Understanding Scale Degrees
When we create chords from a scale, each note in the scale is given a specific degree that reflects its position in the scale. In the diatonic scales, there are seven degrees, and each degree plays a unique role in the overall harmony of the scale.
- The Tonic, also known as the I degree, establishes the fundamental tonal center of the scale and serves as a stable foundation for the melody or harmony.
- The Supertonic, or II degree, acts as a passing note between the tonic and other scale degrees.
- The Mediant, positioned halfway between the tonic and dominant, helps establish whether the scale is major or minor and provides a sense of harmonic balance.
- The Subdominant, or IV degree, serves as a complementary harmony to the dominant.
- The Dominant, or V degree, generates tension and creates a sense of expectation.
- The Submediant, or VI degree, acts as a transitional point between the dominant and tonic.
- Finally, the Leading tone, or VII degree, located one half step below the tonic, creates a strong sense of tension and a desire to resolve to the tonic.
Eb min in Eb Minor
As the tonic chord in the E-flat minor scale, the Eb min chord provides a stable and foundational harmonic center for chord progressions. This chord serves as the “home base” of the entire harmony.
i | ii | III | iv | v | VI | VII |
Eb min | F dim | Gb Maj | Ab min | Bb min | Cb Maj | Db Maj |
E-flat minor chord Progressions as i degree
The following chord progressions are examples of how the Eb minor chord can serve as the tonic chord (i degree) in two different chord progressions.
i VI VII
i | VI | VII |
Eb min | Cb Maj (B Maj) | Db Maj |
i III VII VI
i | III | VII | VI |
Eb min | Gb Maj | Db Maj | Cb Maj (B Maj) |
Eb min in Bb Minor
The Eb minor chord can also appear as the subdominant chord in the key of Bb minor. Specifically, it can be found on the fourth degree of the Bb minor scale.
i | ii | III | iv | v | VI | VII |
Bb min | C dim | Db Maj | Eb min | F min | Gb Maj | Ab Maj |
Eb minor Chord Progressions as iv degree
The following chord progressions feature Eb minor as the subdominant chord:
i iv III VII
i | iv | III | VII |
Bb min | Eb min | Db Maj | Ab Maj |
i iv VI v
i | iv | VI | v |
Bb min | Eb min | Gb Maj | F min |
Eb min in Ab Minor
The Eb minor chord can also appear as the dominant chord in the Ab minor scale. Specifically, it can be found on the fifth degree of the scale.
i | ii | III | iv | v | VI | VII |
Ab min | Bb dim | Cb Maj | Db min | Eb min | Fb Maj | Gb Maj |
Eb minor as v degree – Chord Progressions
If you want to hear how the E-flat minor chord sounds as the dominant (V) chord in the Ab minor scale, try playing the following chord progressions.
i iv VI v
i | iv | VI | v |
Ab min | Db min | Fb Maj (E Maj) | Eb min |
i v VI VII
i | v | VI | VII |
Ab min | Eb min | Fb Maj (E Maj) | Gb Maj |
i VI v iv
i | VI | v | iv |
Ab min | Fb Maj (E Maj) | Eb min | Db min |
Eb min in Db Major
In addition to its positions in natural minor scales, the Eb minor chord can also be found in major keys. For example, in the key of Db major, the E-flat minor chord serves as the supertonic chord, found on the second degree of the scale. A supertonic minor chord creates a sense of anticipation or expectation, as it usually leads to the dominant or subdominant chords.
I | ii | iii | IV | V | vi | vii |
Db Maj | Eb min | F min | Gb Maj | Ab Maj | Bb min | C dim |
Eb minor Chord Progressions as ii degree
Try playing the following chord progressions to better understand how the E-flat minor chord functions as the supertonic (ii) chord in the key of Db major.
ii V I
ii | V | I |
Eb min | Ab Maj | Db Maj |
I IV ii V iii vi ii V
I | IV | ii | V | iii | vi | ii | V |
Db Maj | Gb Maj | Eb min | Ab Maj | F min | Bb min | Eb min | Ab Maj |
Eb min in Cb Major
Check D# min in B Major
Eb min in Gb Major
The Eb minor chord can be found on the sixth degree of the G-flat major scale, serving as the submediant chord. The submediant chord is often characterized by a sense of relaxation and stability in a chord progression.
I | ii | iii | IV | V | vi | vii |
Gb Maj | Ab min | Bb min | Cb Maj | Db Maj | Eb min | F dim |
Eb minor as vi degree – Chord Progressions
You can explore the sound of Eb minor as the submediant chord in the key of Gb major by playing the following chord progressions:
I iii vi V
I | iii | vi | V |
Gb Maj | Bb min | Eb min | Db Maj |
I vi ii V
I | vi | ii | V |
Gb Maj | Eb min | Ab min | Db Maj |
I IV ii V iii vi ii V
I | IV | ii | V | iii | vi | ii | V |
Gb Maj | Cb Maj | Ab min | Db Maj | Bb min | Eb min | Ab min | Db Maj |
Alternative Names for Eb minor
- Eb-
- Mib-
- Ebm
- Mib m
- Eb min
- Eb-moll
- Mib min
- Eb minor
- E-flat minor