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Bb9 Piano Chord

    Piano Diagram of Bb9 in Root Position

    Bb9 Chord - Root Position - Piano Diagram

    A Bb9 chord is a dominant seventh chord built upon the key of Bb with an extra 9th note. The Bb9 chord can be used on the fifth degree of several scales as a variation of a dominant 7th chord. The 9th adds an extra layer of dissonance. Keep reading to understand the music theory behind this chord.


    Structure of Bb9


    Bb, D, F, Ab, C


    R, 3, 5, m7, 9

    Playing Extended Chords on Piano

    Extended chords are commonly used in piano playing, but they can be tricky to play in their entirety due to the large number of notes involved. To make these chords more manageable, pianists often omit certain notes, such as the root or the 5th. Another technique is to split the chord between both hands, playing either full or partial chords in each hand.

    However, even when notes are omitted or split between hands, extended chords can still create complex and dense harmonies. When these chords are inverted, the resulting clusters of notes can be particularly challenging to voice effectively.


    Bb9 Chord Inversions


    The Bb9 chord has a total of 4 inversions:

    Root Position: Bb D F Ab C
    1st Inversion: D F Ab Bb C
    2nd Inversion: F Ab Bb C D
    3rd Inversion: Ab Bb C D F
    4th Inversion: C D F Ab Bb


     Piano Keyboard Diagrams

    Bb 9 Chord - Root Position - Piano Diagram

    Bb9 Chord – Root Position

    Chord Inversion on Piano

    Understanding chord inversions is an essential aspect of music theory as it helps to explain how chords are constructed and used in progressions. When playing chord inversions on a piano, it’s important to keep in mind that the diagrams used to illustrate the order of notes may not always be practical to play.

    To achieve the proper chord voicings on a piano, you need to distribute the notes of the chord across various octaves and positions on the keyboard. This often means that the basic shape of the chord’s inversions shown in diagrams may not be the most convenient or comfortable way to play the chord.

    While chord inversion diagrams can be useful in comprehending the structure and sequence of notes in a chord, it’s recommended to experiment with different voicings and fingerings to find the most efficient and comfortable way to play the chord while still preserving its intended harmonic function and sound.

    Music Theory and Harmony of Bb9


    The Bb9 chord is an extension of Bb7, which means you can add the 9th note to the Bb7 chord to create a unique and complex sound. You can use the Bb9 chord in all the positions where the Bb7 chord can be played. However, keep in mind that some positions may not work as well as others when using Bb9 instead of Bb7.

    You may want to try out the Bb9 chord as an alternative to the Bb7 chord in different positions. Check out the Bb7 chord page for ideas on where to start experimenting. This will help you determine which positions work well with the Bb9 chord and which ones may not be as effective.


    Building the Bb9 Chord: Different Approaches


    Starting from the Bb Major Scale

    To form a Bb9 chord, you combine the root (Bb), the major 3rd (D), the 5th (F), the minor 7th (Ab), and the major 9th from the Bb scale (C).


    Bb Major Diatonic Scale up to 13th

    Bb Major Diatonic Scale


    Bb Major Diatonic Scale up to 13th - Keyless Notation

    Bb Major Scale – Keyless Notation


    To create a Bb9 chord, apply the formula R, 3, 5, m7, 9 in the following manner:

    1. Begin with the Root note, which is Bb.
    2. Select the major 3rd interval, which is D, and add it to the chord.
    3. Add the 5th interval, which is F.
    4. Add the minor 7th interval, which is the 7th (A) less a half-step, Ab.
    5. Lastly, add the 9th, which is C

    By following this simple formula, you can create a dominant 7th chord from any major scale.


    by Combining Intervals

    One method to create a dominant 7th chord is by combining specific intervals – a major 3rd, a minor 3rd, a minor 3rd, and a major 3rd.

    3 + m3 + m3 + 3 = Dominant 9th Chords

    For example, to create a Bb9 chord:

    • we start with the root note Bb.
    • We then add a major 3rd interval, which is four half-steps up from the root, to get D.
    • Next, we add a minor 3rd interval, which is three half-steps up from D, to get F.
    • We add another minor 3rd interval to get Ab and
    • finally, we build a major 3rd from Ab and we end up with C.

    When we play these five notes together – Bb, D, F, Ab, and C – we get the Bb9 chord.


    by Combining Chords

    Another method to build dominant 9th chords is by combining a major triad with the minor chord built on its fifth note.

    To create a Bb9 chord, for instance, you can combine a Bb Major triad with an F minor chord. These two chords share the note F, and when played together, they form a Bb9 chord.

    Bb Major + F minor = Bb9


    How to Use Bb9 in a Chord Progression


    The Bb9 chord can be seen as an extension of the Bb7 chord and is often used in a similar way as a dominant 7th chord. In fact, the Bb7 chord contains the same notes (Bb, D, F, Ab) except for the additional 9th note (C) in the Bb9 chord.

    Since the Bb9 chord includes the dominant 7th note (Ab), it has a similar function to the Bb7 chord in creating tension and preparing for the resolution to the tonic chord. Therefore, in most cases, the Bb9 chord can be used as a substitute for the Bb7 chord, and vice versa, depending on the desired musical context and sound.

    These tables show the harmonized major and natural minor scale where you can find a Bb7 that can be replaced by a Bb9 but I suggest referring to the posts on dominant 7th chords to learn more fancy uses and contexts in which a dominant 9th chord can be played.


    on Eb Major Scale

    Major Scale I ii iii IV V vi vii
    Eb Eb Maj7 F min7 G min7 Ab Maj7 Bb7 ⇒ Bb9 C min7 Dm7b5
    • Dominant chord in Eb Major


    on C minor Scale

    Natural Minor  i ii III iv v VI VII
    C C min7 Dm7b5 Eb Maj7 F min7 G min7 Ab Maj7 Bb7 ⇒ Bb9
    • Leading Tone chord in C minor


    Bb9 Chord Function in Major and Minor Keys

    Understanding Scale Degrees

    When we form chords from a scale, each note in the scale is given a specific degree that reflects its position within the scale. The degree of a note in a scale determines its function and the role it plays in the overall harmony of the music.

    1. Starting with the first degree of the scale, we have the Tonic chord. This chord serves as the foundation of the scale, providing a stable tonal center for the music. It’s like the “home base” of the music, and all melodies and harmonies are anchored to this chord.
    2. Moving on to the second degree, we have the Supertonic. This degree acts as a transitional note between the tonic and other notes in the scale, creating a sense of movement and flow in the melody or harmony.
    3. The third degree is the Mediant, which is located halfway between the tonic and dominant notes. This degree helps to establish whether the scale is major or minor and plays a critical role in determining the mood and emotional impact of the music.
    4. The fourth degree is the Subdominant, which complements the dominant and adds tension and resolution to the music. It creates a push-pull effect that keeps the listener engaged and interested.
    5. The fifth degree is the Dominant, which generates tension and a sense of expectation. It often acts as the climax of a musical phrase or section and is resolved by returning to the tonic.
    6. The sixth degree is the Submediant, which provides a sense of stability and restfulness to the music. It’s often used as a transition between the dominant and tonic, creating a feeling of calm and relaxation.
    7. Finally, we have the seventh degree, the Leading tone. This degree produces a strong sense of tension and a desire to resolve to the tonic. It’s often used to create a sense of resolution and completion in the melody or harmony.


    Bb9 as Dominant Chord in Eb Major

    In the Eb major scale, the Bb9 chord can be used as the dominant chord on the fifth degree of the scale. This means that the Bb9 chord would be the fifth chord in the scale and have a strong pull towards the tonic chord, which is the Eb major chord in this case.

    I ii iii IV V vi vii
    Eb Maj7 Fmin7 G min7 Ab Maj7 Bb7 C min7 Dm7b5


    Bb9 Chord Progressions as V degree

    Try playing these chord progressions to get an idea of how Bb9 functions as the dominant chord.

    ii V I
    ii V I
    F min7 Bb9 | Bb7 Eb Maj7


    I IV V
    I IV V
    Eb Maj7 Ab Maj7 Bb9 | Bb7


     I V vi IV
    I V vi IV
    Eb Maj7 Bb9 | Bb7 C min 7 Ab Maj7


    I IV vi V
    I IV vi V
    Eb Maj7 Ab Maj7 C min 7 Bb9 | Bb7


    Circle Progression
    I IV vii iii vi ii V I
    Eb Maj7 Ab Maj7 Dm7b5 G min7 Cm7 Fm7 Bb9 | Bb7 Eb Maj7


    Bb9 as the Leading Tone chord in C minor

    In the C minor key, Bb9 could be a variation for the dominant 7th chord present on the VII degree.

    i ii III iv v VI VII
    C min7 Dm7b5 Eb Maj7 F min7 G min7 Ab Maj7 Bb7


    Bb9 as VII degree – Chord Progressions

    These chord progressions can help you comprehend how Bb9 serves as the leading tone:


    i iv VII i
    i iv VII i
    C min7 F min7 Bb9 | Bb7 C min7


    i VII VI V
    i VII VI v
    C min7 Bb9 | Bb7 Ab Maj7 G min7


    i III VII VI
    i III VII VI
    C min7 Eb Maj7 Bb9 | Bb7 Ab Maj7


    i iv VII VI
    i iv VII VI
    C min7 F min7 Bb9 | Bb7 Ab Maj7


    i iv VII III
    i iv VII III
    C min7 F min7 Bb9 | Bb7 Eb Maj7


    Circle Progression
    i iv VII III VI ii V7 i
    C min7 F min7 Bb9 | Bb7 Eb Maj7 Ab Maj7 Dm7b5 G7 C min7


    Alternative Bb9 Nomenclature

    • Bb 9
    • Sib 9
    • Bb 9th
    • Bb 7/9
    • Bb dom9
    • Bb Ninth
    • Bb Dominant 9
    • Bb Dominant 9th
    • Bb Dominant ninth



    The chord progressions and examples presented in this post provide a comprehensive overview of the most common uses of the Bb9 chord. It’s important to note, however, that many advanced harmony-related topics could not be included due to space constraints.

    I suggest referring to the posts on dominant 7th chords to learn more fancy uses and contexts in which a dominant 9th chord can be played.


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