Gb aug Piano Chord

Piano Diagram of Gb aug in Root Position

A Gb augmented chord is an augmented triad built upon the key of G-flat. To build a Gb augmented chord, you combine the root (Gb), the major 3rd (Bb), and the “augmented” 5th note D from the Gb scale. Keep reading to delve deeper into the music theory behind this chord.

 

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Gb aug Chord Inversions

 

Gb aug has a total of 2 inversions:

Piano Keyboard Diagrams

Inversions Equivalencies

One interesting feature of augmented chords is that each inversion of the chord produces a different augmented chord. For example, if you take the first inversion of a Gb augmented chord, you get a Bb augmented chord. And if you take the second inversion of a Gb augmented chord, you get a D augmented chord.

So, you only really need four different augmented chords to cover all the possible keys, because all the other augmented chords can be found by inverting these four chords.

 

 

Notice how each of the four distinct augmented chords contains a unique combination of three notes, which can be rearranged into three different chord inversions. By utilizing these four chords and their inversions, it’s possible to cover all 12 keys. Keep in mind that the selection of C, C#, D, and D# is arbitrary, as you could use any other series of unique augmented chords to build them all.

 

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Music Theory and Harmony of Gb aug

 

Augmented chords are typically found on the third degree of both the melodic and harmonic minor scales, where they are intended to function as mediant chords.

Eb Melodic Minor Scale

Eb Harmonic Minor Scale

 

However, in practice, they are not commonly used in this position. Instead, augmented chords are often used as a leading tone to resolve to a major or minor tonic chord.

But before we explore the chords that can follow a Gb augmented chord, let’s take a closer look at how to build it.

 

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Building the Gb aug Chord: Different Approaches

 

Starting from the Gb Major Scale

Keeping as reference the major scale, build the augmented chord, which consists of the Root, major 3rd, and sharp 5th.

 

 

 

• Start from the root note G-flat.
• Add the major 3rd Bb.
• Raise the 5th note, Db by one half-step to get D.
• Combine the root note Gb, the major 3rd Bb, and the augmented 5th D to form the Gb augmented chord.

You can apply the formula R, 3, #5 to build any augmented chord.

 

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by Combining 3rds

An augmented triad is a chord consisting of two stacked major 3rds.

3 + 3 = aug Chords

To build an augmented triad on G-flat, you would start from the root note Gb. Next, you would add a major third interval (four half step) above Gb to obtain the note Bb. Finally, you would add another major third interval above Bb to obtain the note D.

The resulting Gb augmented triad would consist of the notes Gb, Bb, and D.

 

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How to Use Gb aug in a Chord Progression

 

Augmented chords can be used in different ways. One of the most common ways they’re used is through substitution, which means they can take the place of other chords. For example, augmented chords can be used as a substitute for dominant 7th chords. Additionally, they can also work as passing or transitional chords between other chords.

Most of the time, an augmented triad functions as a variation of the dominant chord that resolves on a tonic chord five degrees under its root. However, it is worth mentioning all easy transitions possible starting from a Gb augmented chord. The harmonic structure of augmented chords makes it possible to get many different chords just by shifting any of its notes by a half step, let’s see why:

 

Resolving Gb aug to Major and minor Chords

An augmented chord is made up of notes that are separated by a specific and constant distance from one another. In the case of a Gb augmented chord, the notes Gb, Bb, and D are separated by a “major 3rd” interval.

It’s important to note that each note in the Gb augmented chord can act as a leading tone to transition to another chord that sounds good in the progression. This is because changing one of the notes in the augmented chord can create a different type of chord altogether.

To form a major chord, you need to combine a “major 3rd” interval with a “minor 3rd” interval. Conversely, a minor chord is formed by using a “minor 3rd” interval followed by a “major 3rd” interval. Therefore, when you play an augmented chord, you can use each note in the chord to lead to a different type of chord, such as a major or minor chord, by changing the distance between the notes.

 

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Lowering One Note: from Gb aug to Major Chords

The table below shows how lowering each note of the Gb aug chord can lead to three different major chords:

 

 

If you lower one note in the G-flat augmented chord, you will end up creating a major chord from each of its notes. So Gb aug can transform into:

• Gb (F#) Major or
• Bb (A#) Major or
• D Major

 

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Lowering Two Notes: from Gb aug to minor Chords

Lowering two notes of an aug chord results in several minor chords. Let’s explore which minor chords can be derived from the Gb aug:

 

 

Lowering two notes of an augmented chord creates three minor chords with the same root as the inversions of the augmented chord. This means that Gb aug can transform into:

• Gb (F#) minor or
• Bb (A#) minor or
• D minor

This can be useful in minor keys where the v degree is played as a V7 chord (borrowed from the harmonic minor scale). In this case, the Gb augmented chord can replace Gb7, Bb7, and D in minor keys.

However, the best fit for Gb augmented is to substitute Gb7. When it’s played in place of Bb7 or D7, it’s actually an inversion of the better fit, Bb, and D aug, respectively.

 

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Raising One Note: from Gb aug to minor Chords

When you raise one note of a Gb aug chord, you get minor chords. The following table shows the three different minor chords that can be created from a Gb aug chord:

 

 

When we raise one note of a Gb augmented chord, we get:

• G minor or
• B minor or
• D# (Eb) minor

 

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Raising Two Notes: from Gb aug to Major Chords

Similarly, raising two notes of the Gb aug chord results in several major chords. Let’s take a look at which chords can be formed:

 

 

When we raise two notes of the Gb augmented chord, we can resolve it to three different chords:

• G Major or
• B Major or
• D# (Eb) Major

 

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Gb aug as Dominant Chord

As we have seen, Gb aug can be transformed into various minor and major chords simply by raising or lowering one or two notes. These tables show all the possible resolutions of the Gb augmented chord in major and minor keys, where it can be substituted for the V chord in a ii-V-I/i progression.

Try these progressions and experiment with playing both the augmented and the dominant chords, or just the augmented chord. You can also try playing the dominant chord first, followed by the augmented chord, or vice versa.

 

*Since Cb major has 7 flats, it’s more practical to refer to its enharmonic equivalent key B major. 

• When a Gb augmented chord resolves to a Cb (B) major, it is functioning as the V+ (augmented fifth) degree in the key of Cb major. This is the most common use of the Gb augmented chord as a substitute for the Gb7 chord, which creates a strong sense of tension and resolution in the context of a Cb major key.
• In the keys of Eb major, Gb augmented can replace the V+ chord, which is Bb augmented. This is possible because Gb augmented is an inversion of Bb augmented that substitutes the Bb7 chord.
• Similarly, D augmented, which is also an inversion of Gb augmented, can be substituted, but it’s usually better to use the augmented chord with the same root of the dominant chord instead of using an inversion.
• The tritone substitution: By replacing a dominant 7th chord with another chord whose root is a tritone away, we can create a new harmonic color while maintaining the original function of the dominant chord. In the case of Gb augmented it can be used as a tritone substitution for C7 because the distance between Gb and C is a tritone (six half steps).

 

*Since Cb minor is a theoretical key, it’s more practical to refer to its enharmonic equivalent key B minor.

The Gb augmented chord can serve as a substitute for the dominant 7th chord in minor keys. It is a common practice to use a dominant 7th chord instead of the minor dominant chord typically found in natural minor keys. This substitution is derived from the harmonic minor scale and is widely used in natural minor key progressions.

Since the Gb augmented chord shares the same notes as Bb augmented and D augmented, and because augmented chords can substitute for the dominant 7th chords built on their roots, it follows that Gb augmented, being an inversion of both Bb augmented and D augmented, can be used to replace Bb7 and D7 in their respective keys. However, it’s better to play the augmented chord with the same root as the dominant chord rather than playing an inversion.

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Gb aug Voice Leading

Gb augmented can serve as a chromatic passing chord, allowing for smooth voice leading. It can also function as a pivot chord to modulate to a new key or be used as a substitute for the dominant chord to create a sense of tension and eventual resolution.

 

I I⁺ IV

 

I I⁺ iv

 

I I⁺ VI

 

I I⁺ ii V

 

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Gb aug as Chromatic Modulation

Using the Gb aug chord for chromatic modulation can add an interesting tonal color to your music. It is a popular technique used to add interest to a series of static measures on a single chord.

I  I⁺ I⁶ I⁺ I

 

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Alternative Names for Gb aug

• Gb+
• Gb+5
• Gbaug
• Gb(#5)
• Gb(5#)
• Gb(5+)
• Gbaug5
• Gb(5aug)

 

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